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#4
By
linear
on
02-08-2007, 11:52 PM
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Flexner's position is that aniline dyes give you a wide color pallette, and dichromate gives you one color effect.
My position is "look at that mahogany!" But I do see his point. Proof, no, but the process of oxidization is what we are accelerating with the chemical here. |
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#5
By
scmhogg
on
02-09-2007, 01:44 PM
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Linear,
Thanks for the report. I particularly like the change in the mahogany. What type of mahogany is used in your sample. You can obtain potassium dichromate and other chemicals used for aging or patina from the Science Company. http://secure.sciencecompany.com/Gen...cals-C670.aspx Steve |
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#8
By
Jeffrey Schronce
on
02-11-2007, 10:36 PM
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Excellent write up! Based on your experience I have just ordered a pound of the stuff. Will heed all precautions.
Question, could be theoretical at this point, would reducing the concentration in the mixture lessen the effect or would it be more beneficial to use a lighter coat? Edit : According to your write up it appears that would be the case. |
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#9
By
linear
on
02-11-2007, 10:48 PM
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Flexner and Marks both suggest you can do a more dilute solution, and apply repeatedly until you get the color you like.
I have done a little bit of experimenting, and that seems to be the case. But here's how I look at it. I wouldn't use any finish without running test pieces. So I started with the "reference" formula from Marks and added water until I saw some change. I think 1 tsp to a pint is a better base strength to dilute from. At the "reference" strength, I ran into some small crystals reforming on the surface where the water evaporated. I'd think you don't want to handle those. And the effect was only slightly diminished by dilution. And you can always add more coats to darken up your color. I only just dampen my workpieces with a foam brush, so I didn't see much grain raising, and the dry time was around a half hour. |
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